Scienze della Comunicazione | LABORATORIO DI STORYTELLING AUDIOVISIVO

cod. 0312200109

LABORATORIO DI STORYTELLING AUDIOVISIVO

	0312200109
	DIPARTIMENTO DI SCIENZE POLITICHE E DELLA COMUNICAZIONE
	EQF6
	COMMUNICATION SCIENCES
	2019/2020

CURRICULUM SCIENZE DELLA COMUNICAZIONE Cohort 2017/2018

	YEAR OF COURSE 3
	YEAR OF DIDACTIC SYSTEM 2017
	SECONDO SEMESTRE

TEACHING UNITS

	SSD	CFU	HOURS	ACTIVITY	TYPE OF ACTIVITY
	M-FIL/04	2	40	LAB	VARIOUS EDUCATIONAL ACTIVITIES

	Objectives
	THE LABORATORY SUPPORTS THE DIDACTIC ACTIVITY CARRIED OUT IN THE DEPARTMENT OF POLITICAL SCIENCE AND COMMUNICATION. FOR THE BACHELOR'S DEGREE IN COMMUNICATION SCIENCES (L-20) AND FOR THE MASTER'S DEGREE IN CORPORATE COMMUNICATION AND MEDIA (LM-59, LM-92), THE LABORATORY FORESEES THE REALIZATION OF COURSES, LABORATORIES AND PRACTICAL EXPERIENCES USEFUL FOR LEARNING AND TO THE APPLICATION OF METHODOLOGICAL, LINGUISTIC AND TECHNICAL TOOLS, NECESSARY FOR THE PRODUCTION AND POST-PRODUCTION OF AUDIOVISUAL NARRATIVE PRODUCTS (SCRIPTS, FILMING, EDITING, ETC.). MOREOVER, THE LABORATORY SUPPORTS THE RESEARCH ACTIVITY RELATED TO THE PREPARATION OF EXERCISES RELATED TO THE AFOREMENTIONED DEGREE COURSES AND NOT ONLY, SUPPORTS THE WORK RELATED TO THE PREPARATION OF THREE-YEAR AND MASTER'S THESES AND GRADUATION THESES, AND FOLLOWS THE ACTIVITY OF RECENT GRADUATES IN THE PERFORMANCE POST-GRADUATE INTERNSHIP.

THE LABORATORY SUPPORTS THE DIDACTIC ACTIVITY CARRIED OUT IN THE DEPARTMENT OF POLITICAL SCIENCE AND COMMUNICATION. FOR THE BACHELOR'S DEGREE IN COMMUNICATION SCIENCES (L-20) AND FOR THE MASTER'S DEGREE IN CORPORATE COMMUNICATION AND MEDIA (LM-59, LM-92), THE LABORATORY FORESEES THE REALIZATION OF COURSES, LABORATORIES AND PRACTICAL EXPERIENCES USEFUL FOR LEARNING AND TO THE APPLICATION OF METHODOLOGICAL, LINGUISTIC AND TECHNICAL TOOLS, NECESSARY FOR THE PRODUCTION AND POST-PRODUCTION OF AUDIOVISUAL NARRATIVE PRODUCTS (SCRIPTS, FILMING, EDITING, ETC.). MOREOVER, THE LABORATORY SUPPORTS THE RESEARCH ACTIVITY RELATED TO THE PREPARATION OF EXERCISES RELATED TO THE AFOREMENTIONED DEGREE COURSES AND NOT ONLY, SUPPORTS THE WORK RELATED TO THE PREPARATION OF THREE-YEAR AND MASTER'S THESES AND GRADUATION THESES, AND FOLLOWS THE ACTIVITY OF RECENT GRADUATES IN THE PERFORMANCE POST-GRADUATE INTERNSHIP.

	Prerequisites
	WOULD BE DESIRABLE NOTIONS OF SEMIOTICS, AESTHETICS, MODERN AND CONTEMPORARY ART HISTORY, HISTORY OF CINEMA AND MEDIA.

	Contents
	WHAT WE CALL "IMAGE", IT IS A PRECARIOUS RESULT AND A CHANCE FOR A POSSIBLE PROCESS OF INTER-, RE-, AND EVEN PRE-MEDIATION. THIS PROCESS IS NOT ABSTRACT AND NEUTRAL, CANNOT BE DESCRIBED IN GENERAL TERMS, SUPRATEMPORAL AND SUPRA-HISTORICAL, BUT IT IS ALWAYS SENSITIVE AND IT IS ALWAYS EMBODIED IN A STORY AND CULTURE, IN A SOCIETY AND ECONOMY, IN AN IDEOLOGY THAT DISTRIBUTE DISTINCTIONS AND INSTITUTIONS, INCLUSIONS AND EXCLUSIONS, SHARES AND DISCRIMINATION. EACH IMAGE, IS NEVER ALONE: WHETHER MATERIAL AND MEDIAL, REAL AND PUBLIC, IE PICTURE, OR MENTAL OR PSYCHOLOGICAL, IMAGINARY AND INTIMATE, IE IMAGE, AN IMAGE IS A MULTITUDE, A MULTIVERSUM, CONSTRUCTED AND REGULATED IN DIFFERENT CONTEXTS OF USE AND EXPERIENCES, ALWAYS LOCATED IN A SENSITIVE RELATIONSHIP CULTURALLY CONNOTED –NOT ONLY SPECIFIC, OPERATIONAL AND INSTRUMENTAL, BUT ALSO OPEN, PLURAL AND CONTROVERSY– WITH INSTITUTIONS AND DEVICES, BODIES AND SPEECHES, EXPERIENCES AND KNOWLEDGE. OF THIS COEXISTENCE OF HETEROGENEOUS AND CONFLICTING ELEMENTS MUST BE UNDERSTOOD THE ORIGINS, REASONS AND CAUSES, AND THE MEANING EFFECTS AND THE EMOTIONAL AFFECTS IN A PARTICULAR HISTORICAL-CULTURAL MOMENTTHE COURSE WILL ILLUSTRATE A FEW OF PARADIGMATIC EXAMPLES AND PROVIDE THE MAIN METHODOLOGICAL COORDINATES TO APPROACH THIS ICONIC COMPLEXITY.

Contents

WHAT WE CALL "IMAGE", IT IS A PRECARIOUS RESULT AND A CHANCE FOR A POSSIBLE PROCESS OF INTER-, RE-, AND EVEN PRE-MEDIATION. THIS PROCESS IS NOT ABSTRACT AND NEUTRAL, CANNOT BE DESCRIBED IN GENERAL TERMS, SUPRATEMPORAL AND SUPRA-HISTORICAL, BUT IT IS ALWAYS SENSITIVE AND IT IS ALWAYS EMBODIED IN A STORY AND CULTURE, IN A SOCIETY AND ECONOMY, IN AN IDEOLOGY THAT DISTRIBUTE DISTINCTIONS AND INSTITUTIONS, INCLUSIONS AND EXCLUSIONS, SHARES AND DISCRIMINATION. EACH IMAGE, IS NEVER ALONE: WHETHER MATERIAL AND MEDIAL, REAL AND PUBLIC, IE PICTURE, OR MENTAL OR PSYCHOLOGICAL, IMAGINARY AND INTIMATE, IE IMAGE, AN IMAGE IS A MULTITUDE, A MULTIVERSUM, CONSTRUCTED AND REGULATED IN DIFFERENT CONTEXTS OF USE AND EXPERIENCES, ALWAYS LOCATED IN A SENSITIVE RELATIONSHIP CULTURALLY CONNOTED –NOT ONLY SPECIFIC, OPERATIONAL AND INSTRUMENTAL, BUT ALSO OPEN, PLURAL AND CONTROVERSY– WITH INSTITUTIONS AND DEVICES, BODIES AND SPEECHES, EXPERIENCES AND KNOWLEDGE. OF THIS COEXISTENCE OF HETEROGENEOUS AND CONFLICTING ELEMENTS MUST BE UNDERSTOOD THE ORIGINS, REASONS AND CAUSES, AND THE MEANING EFFECTS AND THE EMOTIONAL AFFECTS IN A PARTICULAR HISTORICAL-CULTURAL MOMENTTHE COURSE WILL ILLUSTRATE A FEW OF PARADIGMATIC EXAMPLES AND PROVIDE THE MAIN METHODOLOGICAL COORDINATES TO APPROACH THIS ICONIC COMPLEXITY.

	Teaching Methods
	WOKSHOP

	Verification of learning
	ELABORATION, REALIZATION, PRESENTATION AND DISCUSSION OF TEXTS AND MEDIA PRODUCED BY GROUPS AND WORKSHOP

	Texts
	THE BIBLIOGRAPHIC MATERIALS WILL BE THOSE OF THE REFERENCE COURSES AND WILL BE INTEGRATED AD HOC.

	More Information
	THE PRIORITY GOALS OF THE AUDIO-VISUAL STORYTELLING LABORATORY (LABSAV) ARE THE TRAINING AND APPLICATION OF TECHNICAL-COMMUNICATIVE SKILLS ON TOPICS AND AREAS RELATED TO THE TRANSFORMATIONS OF MEDIA AND AUDIOVISUAL ENVIRONMENTS AND NARRATIVES AND, IN GENERAL, OF THE VISUAL CULTURE OF THE CONTEMPORARY WORLD, WITH PARTICULAR ATTENTION TO CINEMATOGRAPHIC AND DOCUMENTARY LANGUAGES, TODAY INDISTINCTLY PROFESSIONAL AND AMATEUR

More Information

THE PRIORITY GOALS OF THE AUDIO-VISUAL STORYTELLING LABORATORY (LABSAV) ARE THE TRAINING AND APPLICATION OF TECHNICAL-COMMUNICATIVE SKILLS ON TOPICS AND AREAS RELATED TO THE TRANSFORMATIONS OF MEDIA AND AUDIOVISUAL ENVIRONMENTS AND NARRATIVES AND, IN GENERAL, OF THE VISUAL CULTURE OF THE CONTEMPORARY WORLD, WITH PARTICULAR ATTENTION TO CINEMATOGRAPHIC AND DOCUMENTARY LANGUAGES, TODAY INDISTINCTLY PROFESSIONAL AND AMATEUR

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