Sociologia | THEORY AND METHODS OF COMMUNICATION
Sociologia THEORY AND METHODS OF COMMUNICATION
cod. 0312300051
THEORY AND METHODS OF COMMUNICATION
0312300051 | |
DIPARTIMENTO DI STUDI POLITICI E SOCIALI | |
EQF6 | |
SOCIOLOGY | |
2018/2019 |
OBBLIGATORIO | |
YEAR OF COURSE 3 | |
YEAR OF DIDACTIC SYSTEM 2011 | |
SECONDO SEMESTRE |
SSD | CFU | HOURS | ACTIVITY | |
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SPS/08 | 6 | 40 | LESSONS |
Objectives | |
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THE COURSE AIMS TO DEVELOP ABILITY OF THEORETICAL AND METHODOLOGICAL ANALYSIS OF CULTURES AND COMMUNICATION AND MEDIA EVENTS. THE STUDENT WILL BE BROUGHT TO VERIFY AS THE TECHNOLOGIES OF THE MEDIA (PARTICULARLY OF CINEMA AND EXPRESSIVE INTERACTIONS WITH COMIC STRIP AND FICTION TV) CHARACTERIZE IN STRONG SENSE THE FORMS WITH WHICH ARE STRUCTURED THE INDIVIDUAL KNOWLEDGE, THE SOCIAL ENVIRONMENT AND THE STRUCTURAL HORIZONS OF THE SOCIAL KNOWLEDGE. |
Prerequisites | |
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THE STUDENT MUST HAVE FREQUENT THE EXAMINATIONS TO THE FIRST AND SECOND YEAR OF THE COURSE OF STUDIES IN COMMUNICATION SCIENCES, PARTICULARLY THE EXAMINATIONS OF: SEMIOTICS, CONTEMPORARY HISTORY, MEDIA SOCIOLOGY AND INTERNET STUDIES, HISTORY OF CINEMA, VISUAL COMMUNICATION AND ADVERTISING. |
Contents | |
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THE COURSE DEVELOPS AN ANALYSIS OF THE RELATIONSHIP AMONG CINEMA AND MODERNITY, AMONG FORMS OF MEDIA SISTEM AND MASS CULTURE: FROM THE FICTION TV TO THE CLASSICAL AND CONTEMPORARY COMIC STRIPS. FOLLOWING AN INDICATIVE MAP OF THE CLASSICAL AND CONTEMPORARY CINEMA, THE COURSE DESCRIBES AND INVESTIGATES SOME CHANGES OF IMAGINARY FROM THE CLASSICAL AND ANALOGICAL MEDIA TO THE ACTUAL DIGITAL MEDIA. |
Teaching Methods | |
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FRONTAL LESSONS, PROJECTION OF AUDIOVISUAL SEQUENCES, TEXTUAL AND CULTURAL ANALYSIS OF FILM, COMIC STRIPS AND OF OTHER TYPOLOGIES OF THE AUDIOVISUAL NARRATION. |
Verification of learning | |
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ORAL EXAMINATION BASED ON A TIMELY QUESTION ABOUT THE CONTENTS OF THE COURSE. THE STUDENT'S CAPACITIES AND SKILLS DEVELOPED IN RECOGNIZING THE COMMUNICATION FORMS AND TYPES IN THE COURSE SHOULD BE VERIFIED |
Texts | |
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1) RAYMOND WILLIAMS, DOCTOR CALIGARI IN CAMBRIDGE. CINEMA, DRAMA AND POPULAR CLASSES, OMBRE CORTE, VERONA, 2015. 2) GINO FREZZA, FADINGS. MUTATIONS OF THE CINEMA, TUNUÉ, LATINA, 2013. 3) GINO FREZZA, FIGURES OF IMAGINARY. MUTATIONS OF CINEMA FROM ANALOGIC TO DIGITAL AGE, AREABLU EDIZIONI, CAVA DE' TIRRENI, 2015. |
BETA VERSION Data source ESSE3 [Ultima Sincronizzazione: 2019-10-21]